Summary of Essay This essay delves into the background of Yoko Ono and her involvement in the Fluxus movement of the 1960s. It explores her artistic methodology during this period, and evaluates her performance Cut Piece as a proto-feminist work. Ono’s intersectional identity as a Japanese-American woman is intricately connected to this analysis, considering the … Continue reading Proto-Feminism in Fluxus Performance Art: Yoko Ono and Cut Piece